Designing Place:
 
Architecture as Community Art

in Martinsville, Indiana
 


Gothic Revival

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Content written by:
Joanne Raetz Stuttgen, PhD
Kathryn Maxwell

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Terry Bunton

 

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Gothic Revival
domestic use c.1840-1860
religious use c.1840-1930

 Even more romantic than Greek Revival is the Gothic Revival style. It was popular in Indiana domestic architecture from the 1840s through the 1860s and in ecclesiastical architecture from the 1840s well into the twentieth century.

 Industrialization, political corruption and other anxiety-­producing factors of the mid-nineteenth century inspired a yearning for a simpler and more pure way of life. This was reflected in all areas of expressive culture, including painting, music and literature. For example, the writings of Walter Scott, which portrayed the Medieval era in glowing terms, were enormously popular among Americans. Architecture, too, responded to these romantic yearnings, and Gothic forms and ornament based on English Medieval models were incorporated into building designs.

 The Gothic style is most commonly regarded as ecclesiastical in nature. It is an emotional, upward-soaring style usually associated with the great stone cathedrals of western Europe. American builders, using native materials such as wood and brick--stone was reserved for the costliest buildings--translated elements of the Gothic style into a purely American expression that was at its most charming in domestic architecture.

 The most characteristic element of the Gothic style is the pointed arch. Used by Medieval builders to span widths and scale heights of ever greater dimensions, the pointed arch in the hands of American builders became a primarily decorative device, faintly echoing its structural origins. Another converted component of the Gothic style is the ornate tracery which American builders executed in wood with the newly invented steam-powered scroll saw. This tracery was applied to the eaves at gable ends and appeared in ornate porches. Steep-pitched gable roofs, often with finials at the apex, expressed the style's verticality and caused the Gothic Revival to be dubbed the "pointed style" in the nineteenth century. Hood moldings were commonly placed above doors and windows. Some Gothic Revival buildings have Medieval parapets, resembling not cathedrals so much as fortresses, and corner and wall buttresses. The preferred facade material was board-and-batten siding which reinforced the verticality of expression. Brick and clapboard were also used.

 The inherently religious Gothic Revival style remained popular in ecclesiastical and funereal structures until approximately 1930. Gothic churches, tombstones, and mausolea displaying varying degrees of sophistication were common.

 Saint Martin's Catholic Church in Martinsville is one of the finest examples of the Gothic Revival style in Morgan County. The steeply-pitched roof, tall, soaring steeple and pointed-arch windows and entry illustrates the verticality of the style.

 The Gothic Revival style in a residential context is well-represented by the house at 40 East Walnut Street in Martinsville. The house exhibits the steeply pitched roof, and elaborate vergeboard indicative of the style.

 Gothic Revival: St. Martin's Catholic Church (1888), Martinsville

 Gothic Revival: Crone House (c.1865), 40 East Walnut Street, Martinsville
This house was moved to this location from Main Street.

Gothic Revival: House (c.1870), 210 South Marion Street

The steeply pitched cross gables are influenced by the Gothic Revival style. The house itself is a vernacular central-passage form.

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Morgan County Historic Preservation Society
P. O. Box 1377
Martinsville, IN  46151

This site was last updated 08/09/06